Some stories refuse to disappear.
Long before modern maps and satellite images, rivers already carried memory. Waterfalls were sacred. Pools were whispered about. Certain places were approached carefully because people believed something ancient lived there.
In Venda mythology, Nzuzu is known as a powerful water spirit — often described as a mermaid-like deity connected to rivers, lakes, healing, fertility, beauty, and ancestral realms. According to folklore, Nzuzu could draw people beneath the water, not always as punishment, but sometimes as initiation. Those who returned were believed to come back transformed, gifted with spiritual insight, healing abilities, or deeper wisdom.
That mythology fascinated me.
Because across cultures and centuries, humans have always attached mystery to water. Sailors spoke of mermaids. African folklore tells stories of river spirits. Ancient civilisations viewed water as a portal between worlds. Even now, standing near the ocean or a waterfall can feel strangely emotional — as though the body remembers something older than logic.
Nzuzu emerged from that feeling.
The work is not intended to literally paint a mermaid. Instead, it explores the emotional pull of water itself — seduction, danger, healing, femininity, memory, and transformation. There is softness in the piece, but also tension. Calmness layered with uncertainty. Much like water, it shifts depending on how you look at it.
Living in Limpopo, surrounded by landscapes rich in folklore and oral storytelling traditions, I have become increasingly drawn to the idea that nature holds memory. Rivers are never just rivers. Mountains are never just mountains. Places absorb stories over generations.
As a contemporary South African artist, I am interested in how these ancient narratives still echo into modern life. We may no longer gather around fires telling the same legends in the same ways, yet people still search for spiritual connection, identity, intuition, and belonging. We still long for magic in a world that often feels disconnected from itself.
Visually, Nzuzu carries many of the layered elements present throughout my work — instinctive mark-making, symbolic forms, abstract landscapes, and moments that feel almost childlike beside deeper emotional undertones. The piece moves between dream and memory, between mythology and modern femininity.
There is also a personal layer within this painting.
Despite living in the bush, I have always felt an intense connection to the ocean and to water. Perhaps that pull comes from ancestry, perhaps imagination, perhaps emotion. But some works arrive less from conscious thought and more from instinct — as though the painting already exists somewhere beneath the surface, waiting to emerge.
That is what Nzuzu became for me.
A conversation between folklore and feeling.
Between womanhood and water.
Between what is seen and what is sensed.
And maybe that is why water stories survive across every culture on earth.
Because deep down, humans have always understood that water holds both life and mystery.
Part of the
Lore & Legends collection
